In more ways than one we are off the clock. We have been out of time long before Salvatore Dali melted that watch in his 1931 painting. Climatologists have been warning our deaf ears of impending doom for decades. Time and tide are tired of waiting.
Clocks don’t tick anymore. Many have lost their limbs. A generation has been raised without knowing what counterclockwise means. Wrists are going unadorned in favor of genius-phones. There is nothing to wind in the digital age. Remember how we learned how to tell time? I don’t either but I think I regarded it as a milestone.
The notion of clocks came as an imposition on the natural rhythm of human existence. Eating, sleeping, and working all yielded to the tyranny of the clock as if to an alarm. Being punctual became a virtue. Pre-literate societies had no such need to punctuate their lives.
When Big Ben strikes on the hour, all fourteen tons of it, you’d better check your timepiece and hurry up or else. The great London clock came at the height of the British Empire upon which the sun never set. It was the symbol of uniformity and authoritarian rule. In a culture of domination, everyone knows their place and when tea is served, one lump or two.
Harold Lloyd hung for his life on the big hand in one of the most enduring images of the silent film era as if to mock time itself. Orson Welles had his licks in a moment of levity during the zither filled Third Man movie when he ridiculed the Swiss for their neutrality and cuckoo clock as their sole contribution to Western Civilization. In fact, everything in that memorable speech was about as accurate as a broken clock.
Mrs. Dalloway, in Virginia Woolf’s classic novel, measured her life by the gongs of Big Ben. But her noon was altogether different from the other character’s twelve o’clock. Woolf's use of time was a way of giving relativity its due and give voice to the inner lives of her characters. In her masterpiece, time is subjective; for some an occasion for buying flowers or accepting a lunch invitation; for another a time for dying.
The clock gives us the illusion of quantifying our lives just as commodification monetizes it. It provides us with the idea of our existence being a chronology. World War I shattered this sequential narrative. The myth of progress was laid to rest along with millions of dead bodies to fertilize the fields of Europe.
I wonder how many were killed just waiting for the 11th hour of the 11th day of the 11th month. A generation was lost, and survivors were also lost in the stupidity of it all, a life left in fragments and the dread of a world without God to write the fable.
In fact, life comes at us with simultaneity. Ideas, images, information and impulses in fragments we've learned to make into a coherent whole. Time hangs heavy one moment and the next we run out of time. Perhaps time is not of the essence, at least, according to the clock or watch.
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