Poets are the unacknowledged legislators of the world. So said
Percy Shelley (1821). Hogwash, you say? Well, the elected ones aren't
legislating so who is it leading us to the abyss and numbing our souls?
I’d rather learn from one bird how to sing than / Than teach a
thousand stars how not to
dance. e..e.cummings
Shelley was referring to the way poetry can stir the mind and set
free both our imagination and rational thought process. When metaphorical
language penetrates and rocks the spirit it can transform what seemed like a
mountain into a dune. The intractable problems we face require re-framing and a
replacement for dead language.
What we hear in Washington is rhythmic noise. We don’t even need
to make out the words. Robert Frost believed that our cadences are charged with
a sonic meaning. Unfortunately today’s Lingua Franca is vehemence and vitriol.
Poetry is a language of harmony however the muffled meaning. Comprehension
enters before any explication can happen. There is no reason to translate the
rhetoric when you overhear the blather.
Shelley argues that we enter the world with the linguistic impulse
to make order out of it. Today we are witness to the clamor, the glut of
sensory input and welter of information all of which insist on some sort of
filtering. Enter the poet to take this material and shape it into something
with harmonic resonance. This very act is moral with an element of unity and
delight out of which comes civilization itself.
Tom Robbins said his Quasi Motto is yanking
the bell rope despite physical affliction. Joy in spite of everything.
Frost was a grumpy New Englander whose poetry about roads
not taken and the something
that is that doesn’t love a wall are beloved for their levels of truth
and the rhythms of speech. Once again the poet makes beautiful that which
appears distorted. That beauty is not necessarily free of ambiguity but it
alters our angle of vision and according to Shelley lifts the veil.
As legislator of the world Shelley saw the poet bringing together
analysis with synthesis, the known and unknown. He wrote that reason is to
imagination as the body is to spirit, as shadow to substance. In bridging these
differences he offers a glimpse of what might be out of the chaos of what is.
It can be the voice of suffering as well as the moon in her phases.
Poetry can also be banal, a part of the static which assaults us
every day. This is not what Shelley had in mind. He saw the poet as prophet not
as prognosticator but as one aligned with the flow of history.
As Cummings suggested it is more preferable to listen than to
teach. And we have more to learn from Nature before we destroy it. Poets know
this. We would do well to praise that alien figure fast approaching instead of
shooting or shouting at it. It is called the Future. It is of our doing.
Poets are revolutionaries, essential in the healing of
this world’s failed imagination. Creativity itself is faintly subversive lobbying for what is yet to come. Coexistent with the language of belligerence
is a universal one of creativity understood by all nations.
It may not be possible to define exactly what it is in poetry that
can save us yet as William Carlos Williams wrote, men die miserably
every day for lack of what is found there. Even if it seems like
poetry makes nothing happen, the world would be impoverished without it. It is a
tough argument to make but Shelley seems to be saying that poetry brings order and unity into the world in a way that cuts across borders. As
legislators they could do no worse than what we’ve got.
Every morning Peggy writes a poem. Most of them tunnel between a
morning observation over breakfast and the carnage happening in the vast
elsewhere. A dog-walker in an orange cap becomes a Separatist in Ukraine. How
does change happen? Maybe it seeps into consciousness with a continental leap
when our sentinels are asleep at the gate.
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