The death of old movies is as if a moribund surrogate parent has died again. Having been raised on Saturday matinees I am mourning the threatened change at TCM in which Cooper and Cagney will fall to the cutting room floor along with Grable, Gable and Garson. In the U.K., old movies made before 1975 have already been dumped. They have been deemed bad for the bottom line. Soon AARP members will be bereft. Evidently young audiences haven’t figured out that whatever they are watching has its antecedents.
The Austin Theater in Kew Gardens could never be mistaken
for a Dream Palace but the place was thick with them. It was there I got caught
in the swirl of Busby Berkley or posed as a mild-mannered reporter looking for
a phone booth or overthrew the order with a raised eyebrow like Groucho and
climbed the stairway to heaven. There was no gravity in that floating world.
Movie-going was an event apart from the big screen. We
screamed and laughed, hissed and cheered in a communal experience even as the
usher hushed us as she patrolled the gum-encrusted rows.
She was dressed for the part in a red uniform like a drum
majorette or doorman. With a deft turn of her flashlight, she would highlight
the rowdies and those with raging hormones in the balcony the way a warden
turned his searchlight on the prisoner climbing the wall with tied sheets. All
she really wanted was a quiet aisle to imagine her life in that shaft of smoke from the
projection booth. She would walk home on
deserted streets under blinking neon, as a chorus girl, hat-check girl or the
girl next door having left this world and finally stepping back into an Edward Hopper
painting.
I had a near-death experience at the movies before my legs
reached the floor from my seat. With eyes still wide from the sun a man inched
his way along my aisle about to sit on top of me. Just as he was stooping to
crush me, I rattled my Good and Plenty and barely avoided an ignominious
demise.
As a kid I was movie-smart having been suckled on double
features from age four in the custody of my older brother. It was there I learned that babies came from hot water and towels. I found
out how to almost kiss, that most people wore tuxedos and sailors were the best
dancers. I could tell the clean-cut good guy from the dirty double-crosser by
his mustache alone. And I knew that second bananas married second banana-ettes.
Tarzan’s words were not lost on me when he said to Jane: It’s a jungle out
there.
It was at the movies where we figured out the difference
between fantasy and agreed-upon reality. Left to our own devices, we learned
that people were not likely to carry one roller skate and a cup of coffee in
their overcoat as Harpo had honked. We entered the theater any time
heedless of beginnings and ends. Yet, this is where we came in, I would
say when the two fragments met as if life made sense after all even if I didn’t
yet know where I fit in.
No comments:
Post a Comment