Back in the day I had my heroes. There was the Man of Steel
who leaped tall buildings and then returned to his bespectacled life. Then
there was Elizabeth Cady Stanton or Florence Chadwick who swam the Channel both ways. I
also idolized Jackie Robinson and Sandy Koufax.
All of them acted as singular individuals taking matters
into their own hands and pushing the margins of what was thought possible. They embodied the American Dream. Heroes and
heroines must have an adversary. Athletes have the record book. The
Suffragettes and minorities have the weight of social mores. Superman had
gravity, itself.
With some sophistication and a broader view of the human
psyche came the anti-hero. We took our heroes down from the pedestal for closer
inspection and maybe recognized ourselves….on a good day. Over the years the
anti-hero became more and more blemished. Redemption was hard-edged, hard-earned
or hardly worth the time.
All of which leads me to our latest version in the virtuoso
performance by Matthew McConoughey in, Dallas
Buyer’s Club. Here we have a poster-boy for the guy you wouldn't want your sister to marry...a red-neck, womanizer, misogynist, homophobic Aids
victim whom we are asked to cheer because he single-handedly defies the Food
& Drug Administration and by extension, the government, Big Pharma and Science itself.
I have no use for pharmaceutical companies but in our system
they are the arm of research, manufacture and marketing. I do not condone their
abusive practices or exorbitant profits. However this film takes down
evidence-based science and a vital federal agency along with it.
In its place we are asked to support renegade science based
on anecdote and driven by loopholes and a good-old American entrepreneurial
device for personal gain. This script could have been written by Ted Cruz from the Libertarian handbook.
First we are told that the FDA is the villain for
withholding AZT from the market. Then the drug is deemed to be toxic when it is
released. In fact it was made available quicker than other drug in history
because of the AIDS epidemic in the late 80s. And why was it delayed at all?
Because clinical trials first had to be made to evaluate benefits against risks.
And why were their deaths associated with it in the early days? Because the optimum
dosage had yet to be established. In fact AZT has become part of the cocktail
successfully treating millions of AIDS victims for the past twenty years.
Vigilante justice is a running theme in Hollywood. The
sheriff in High Noon became the Clint
Eastwood revenge-seeker. We love our protagonist to break out of the herd,
bring down the authorities and make his own rules. Now the cowboy has put on a
white coat and become a doctor scheming to circumvent rational medicine. And he
even get his woman in the last reel.
What’s next, stem-cell research? Climate change? Evolution?
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